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The London Book Fair or “how to be lost in a sea of books”!

“What are all those people doing on the stands?”

Well … a very long day in good old London town but I have to say a thoroughly enjoyable experience at the London Book Fair and thanks to some wonderful ‘Scoobies’, I learnt all I need to know about visiting in the future. It was a bit like being a kid in a candy store or, in my case, being at Harry Potter World.

Some of the stands were stunning and I took quite a few images of things that caught my eye. The first was this amazing artwork on the Bloomsbury stand … there were images all the way round but this really spoke to me and I kept wondering what her story was.

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Beautiful images on the Bloomsbury Stand

There was a great deal of discussion going on on this stand which had an eclectic mix of books but I was intrigued by Big Foot!

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Bigfoot Challenge from Fox Chapel

Now the Knights Of folks were tied into another stand but when I saw the Moomins I was immediately staring at all the wonderful books and stationery that was available. There are very few images that have stayed with me from my childhood but the Moomins have great longevity.

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My beloved Moomins

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Another gorgeous stand Image

One of the key areas that, if I had realised had presentations for free (well included in the price of your ticket), was the fabulous Children’s Hub. There were some amazing people there and I was gutted I missed Chris Riddel, who was drawing as a number of writers read from their books. But the stand was surrounded by wonderful drawings by Quentin Blake from Roald Dahl’s Matilda. Was lovely to see the traditional amongst the new (if you can call Roald Dahl traditional).

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Quentin Blake’s fabulous images

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Matilda – Roald Dahl

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Matilda considering reading – Roald Dahl

I did spot ‘Barry Chicken’ on my way around the Chicken House stand … and it was pretty amazing to see so many of the books that have been on my reading list and blog all in one place. For a small publisher, they carry an enormous weight with the MG community.

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So many familiar texts here!

Now back to my original question, what were all those meetings about? In my naivety, I had no idea that book deals and meetings with agents would be taking place. I know, I know, what did I think they were all doing there, having tea and cake! I was also blissfully unaware that the publishers didn’t want random pretend authors (like me!) wandering across their stands with a big backpack on bashing everyone on the head. But ignorance is bliss and not once did anyone really stop me looking at the books due to be released this year.

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Some of the World’s Biggest Publishers

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So many meetings

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Blog 18

This Mortal Coil by Emily Suvada

“My darling girl, if you are reading this, it means I am dead. I know you want to grieve, but there is something that I need you to do.”

I chose to read this after it was on the nominated list for Waterstones Children’s Book Prize. It’s a Young Adult novel, although I think any adult would love this. Set in a dystopian future, where a lethal virus is gradually killing off the human race, we find a young girl Catarina living a life in an isolated cabin with her father and his assistant, Dax. Why are they living in this splendid isolation? Well it appears that Cartaxus, an organisation that sounds rather too close to being Sky television for my liking, with a number of sinister divisions attached to it is trying to prevent the virus from spreading. But it’s not just a case of giving everyone an injection, oh no, in this dystopian future every single person on the planet has a panel in their arm that controls their bodies. This panel is connected to a series of wires that travel through the body focused on key organs, bones and the brain. It’s incredibly powerful and the technology … it’s been created by Cartaxus.

Now, if you are not a sci-fi fan, it really doesn’t matter. It’s the relationships and how each individual is connected that makes this such a compelling read. Catarina’s life is ripped apart. Firstly, her father and Dax are abducted by Cartaxus and she is left to fend for herself. She could choose to go into a bunker run by Cartaxus, where she will be safe until a vaccine is found. But her father has told her to stay away from them. So, she is surviving on her own out in the wilderness with a network of friends. Food is scarce and the virus is getting closer all the time. She then finds herself at the mercy of a young man who has come to take her to a lab in Canada to unlock the cure for the virus stored inside her. He is from Cartaxus. Does she trust him or kill him?

Catarina is a strong young woman of 16 or 17. She is a fighter and a survivor. At times, she is broken by the lies she seems to face from everyone, even those she thought loved her. She’s bright too, she can hack the code that is running the panels in people’s bodies and the code that seems to control every bit of technology she is surrounded by. Her relationship with Cole, the young man who abducts her is complex and again full of twists and turns. She saves him as much as he saves her. This is the strength of the story: she’s clear thinking in dangerous situations, she does the right thing even when she knows it is bad for her, and she is capable of killing, if it’s in the interests of the safety of mankind. Pretty amazing qualities for our leading lady. Cole is attractive and very much made of the stuff of heroes but he’s also vulnerable and needs Catarina.

I couldn’t put this book down. The more I read, the more I was drawn into this world and I went running after every red herring Suvada could throw at me! Although I did guess the twist in the tale towards the end (Thank goodness! I was beginning to feel like I’d never read another novel!). The door has been left open for the next book and I am looking forward to it’s release and seeing what will happen to the virus … and I still need to understand the pigeon poem because I still don’t quite get it. So feel free to enlighten me, if you can.

Who should read this book?

Well I would recommend this for any teenager who enjoyed the Hunger Games or The Maze Runner. It’s not exactly the same genre but the recognisable strong characters would appeal to those who have read that. It’s definitely a book for aged 14+ and would be a very interesting addition to school libraries or classrooms. I’d definitely want to talk to students about what they see in their future. How would they feel about being controlled by say Rupert Murdoch or a pharmaceutical company like GSK? Would they allow a company to implant technology in them, if it meant they could be instantly healed? The discussions would be good. You could create some great opportunities for writing to argue too.

Well worth reading!

You can buy this book here: http://amzn.to/2HOVnmT

Blog 15

Thornhill by Pam Smy

“I have spent days and days in bed. I can’t face school. I don’t want to see anyone. I can’t even read.”

I have never read a book like this. I was so stunned at the end that I had to take a break from writing a blog about it, to absorb the message and the story. This is not a book for the faint hearted.

There are two narratives in this wonderful novel about two teenage girls who live 30 or so years apart. Mary’s story is told through her diary from 1982 and it is a hard hitting read. She is persistently bullied by the girls she lives with at Thornhill and is repeatedly ignored and left to struggle on her own. And I don’t think we should hide behind the fact that places like Thornhill, where young girls who are struggling to be fostered are living. They existed in the 1980s and I am not convinced they don’t exist today.  I was so drawn into Mary’s existence that at every turn, when an adult turns up in Mary’s life, I wanted them to rescue her. It astonished me that she could be so overlooked for being quiet or mute. Thornhill itself echoes her despondent existence; she is isolated at the top of the house. When the summer’s stifling heat takes over her room and she is desperate to breathe, you feel the house is as much a trap as a home. But Mary doesn’t want to leave. It’s the only home she’s known. Her relationship with the bully made me weep, as time and time again she falls for the nasty, vicious tricks that are played on her.

The other story is Ella’s, set in 2017. It’s beautifully illustrated and it’s a long time since I have had to read pictures to understand a narrative. They’re black and white and reflect Ella’s lonely and rather dark life. She can see Thornhill from her bedroom window and it’s derelict and overgrown. However, she climbs through a gap in the fence drawn to the place by a figure she sees in the garden. Sadly just like Mary, she is alone as her father is never there and her mother is absent. However, she builds a relationship with Mary which is beautifully conceived and shown through the delicate images. I was entranced and even though we don’t hear Ella speak, you can feel her sadness and loneliness.

I don’t want to say much else, as this is a text that everyone should read. It demonstrates the power a bully can have over a young person. How they control the person they are bullying and those around them. It reveals the incredibly difficult circumstances some children are forced to live in, through no fault of their own. And, sadly, it also shows how easy it is for us, as adults, to firstly, ignore the problem but secondly, to just not listen and ask the right questions. I know there are kids out there that I worked with, where often I could not get to the bottom of the issue they were facing, until I found the right question. Sometimes that might have been as simple as asking, “Are you okay?”.

I am so impressed by a book that uses illustration, as powerfully as it uses the written word. I can see why this is on the Waterstones Children’s Book Prize Shortlist for 2018 and I am still feeling incredibly moved. Go and read it, would be my advice.

Who should read this book?

I think this is a fantastic book to discuss with teenagers. There is so much here that many of them face. Definitely recommended for 13+ or Year 9 and up. It confronts some difficult issues. Bullying is such a challenging issue to resolve. It takes a great deal of bravery for a young person to speak up. In terms of teaching, I think you could read some of the diary entries in this and talk about emotion and how it’s conveyed so quickly. It has great mastery of the diary form and a bit of textual analysis would open plenty of opportunities for discussion. In terms of form, what a wonderful text to use with A-level English Language students to discuss how texts are created and how they create meaning. For English Literature students, I would sit this alongside other gothic texts and compare them … might be a good NEA opportunity here.

Still thinking about the messages and meaning … truly powerful.

You can buy this book here: http://amzn.to/2EZz4dR